Doug Silkstone•Living mockups

Living mockups

Editable 3D product mockups with live screens and LED walls

Design & engineering · Built the scenes, surface mappings and inline editor

A set of Three.js product scenes — a newspaper, a phone in hand, a reflection room and an industrial laptop — where every screen, page and LED surface is a live, editable texture rather than a flat render.
The headline and the artwork are edited inline; the change lands on the curved wall, the reflections and the phone display at once, because each surface is mapped back to one shared source.
Backgrounds are generated, the reflection and emissive shaders are hand-written, and the whole set runs in the browser at interactive frame rates.
Part of the Studies & Experiments gallery: a collection of standalone scenes that can be dragged, played and inspected.

Doug Silkstone•Digital patterns

Digital patterns

Generative poster system for an events programme

Design & engineering · Built the pattern engine, editor and export

A story generator for a week of club nights: six animated pattern families — pixel, angular, wave and more — each seeded, coloured and typeset into a poster that stays legible at any scale.
Every field on every poster is editable in place: date, genre, headline, colour, pattern scale and animation speed, with a one-click regenerate per poster.
Posters export as stills for print and social, so the same system that runs on screen produces the programme's artwork.

Doug Silkstone•Studies & Experiments

Interactive studies in 3D, shaders, sound and motion

Design & engineering · Built every scene, instrument and interaction

A gallery of standalone scenes: a full event lighting show, a playable Silksong room, editable living mockups, trading cards with prismatic foil, a working Roland 303 and 909 rack, a repair bench and a gravitational-lens shader.
Each plate is its own build — Three.js scenes, custom GLSL, Web Audio, soft-body physics and print-style typography — and each responds to the pointer, keyboard or touch.
The gallery itself is a piece of the work: a printed-sheet metaphor with registration marks, tape stock and a lens that pulls back while the sheet travels, plus a presentation mode that hides every instrument for demos and recordings.